04 · Build

Casting it over the water

The whole point is a monolithic cure: shell and liner set as one continuous body, with no cold joints to leak or crack. That single requirement drives the entire method - an inflated balloon form hung from a gantry over deep water, sprayed in continuous lifts, cured, then lowered onto the sea it was built above.

AThe seven-step sequence

Step through the build, or auto-play it. Each stage is chosen so the next layer bonds to the one before, so the finished sphere behaves as a single body.

Why over water, not on land: a finished sphere weighs ~120 t and you never want to lift or roll it. The gantry simply lowers it down the guide wires onto the water it was cast above. The balloon is deflated, recovered through the hatch, and reused.

BWhy each choice

StageThe engineering reason
Gantry + seabed guide wiresHolds the form dead still against wind and current for the whole pour and cure - roundness is everything for buckling.
Sewn balloon, seams on the stress linesCut gores and weld so seams follow membrane stress; an equatorial belt and a nadir tether force a true sphere, not a pear.
Low inflation pressure (~2-4 kPa)Just enough to hold shape without over-stressing the fabric; regulated and logged for the entire cure.
Fibre mesh + carbon keel patchAR-glass or basalt mesh carries tension; carbon tows go into the keel where you later want conductivity for thermal exchange.
Shotcrete in continuous lifts + retarderThe set retarder keeps each lift "live" so the next bonds into it - no cold joints, one monolith.
Wet-cure, then bonded aircrete linerPouring the insulating liner onto still-green concrete fuses structure and liner into a single body.
Lower down the guide wiresNo crane lift, no roll: the sphere descends onto the water, tanks are commissioned, trim is set.